Spotify üzerinden çal YouTube üzerinden çal
YouTube videosuna geç

Çalar yükleniyor...

Spotify üzerinden skroplama mı olsun?

Spotify hesabınla Last.fm hesabını bağla ve herhangi bir Spotify uygulaması, herhangi bir cihaz veya platform üzerinden dinlediğin her şeyi skropla.

Spotify'a bağlan

Son ver
Haz 28

Gustav Mahler - Symphony No.2 (Resurrection) - Philharmonia Orchestra

Gustav Mahler, Ekaterina Gubanova ve 4 daha fazla sanatçı ile Royal Festival Hall mekanında

Reklamları görmek istemiyor musun? Şimdi yükselt

Tarih

Perşembe 28 Haziran 2012 tarihinde 19:30mekanında

Mekan

Royal Festival Hall
Southbank Centre, Belvedere Road, London, SE1 8XX, United Kingdom

Tel: +44.(0)20 7960 4200

Web:

Haritada göster

Bilet satın al

Tanım

Joseph Phibbs: New work (London premiere)
Gustav Mahler: Symphony No.2 (Resurrection)
Interval

Philharmonia Orchestra
Esa-Pekka Salonen conductor
Kate Royal soprano
Ekaterina Gubanova mezzo-soprano
Philharmonia Chorus

Esa-Pekka Salonen conducts Mahler's Resurrection Symphony, taking the listener on a truly transcendental journey through this mighty work.

Mahler's Resurrection Symphony takes the listener on a truly transcendental journey. In Mahler's own words, 'The first movement depicts the titanic struggles of a mighty being still caught in the toils of this world, grappling with life and with the fate to which he must succumb - his death'.

The last movement deals with 'the resolution of the terrible problem of life - redemption'. In Mahler's original programme, he details the sounding of the Last Trumpet, the resurrection of the dead with wailing and gnashing of teeth, and then the fading away of all noise as everything 'ceases to be' before the enormous E flat major climax, with a chorus joined by soprano and alto soloists and pealing bells, representing souls reborn in Heaven.

Although Mahler later withdrew his detailed 'programme', this enormous work clearly represents a huge personal journey. Mahler wrote of the last movement, 'The increasing tension, working up to the final climax, is so tremendous that I don't know myself, now that it is over, how I ever came to write it.'

The first half of the programme is the London première of a co-commission with The Anvil, Basingstoke: composer Joseph Phibbs's soundworld has been described as offering 'a kaleidoscopic range of colour (The Times).'

(6) sıralaması

Reklamları görmek istemiyor musun? Şimdi yükselt

9 gitti

6 ilgilendi

Pano

Bu sayfadaki yorumları görüntülemek için Javascript gereklidir. Doğrudan yorum sayfasına git

Reklamları görmek istemiyor musun? Şimdi yükselt

API Calls