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I Still Buy CDs

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  • Bone Awl @ Cherry St Station in Wallingford CT June 17th

    5 Tem 2009, 15:15 yazan logbut

    Yeah I'm writing this a pretty long time after it happened, but whatever, suck my ass.

    It was a break in the several weeks of rain that we have been getting in the Northeast USA, for once. A perfect day for a roadtrip and black metal show, I guess. After meeting my friend, we hopped into my 1997 Honda CRV with 224,000 miles on it and hit the road into the mysterious land known only as Connecticut.
    After a relatively uneventful trip we arrived at Redscroll Records whereabouts I ended up spending $103.88 on records (according to my bank statement). It's just to bad I can't even remember what I bought exactly. I can remember a few: stuff by Moss, Sissy Spacek, Satanic Threat, Boyd Rice & Friends, Infernal Stronghold, Striborg, Down in Flames, Assspatula, Agathocles, SMG, Black Pus and a ton more that I can't think of. Oh well.
    After SUPPORTING THE SCENE BRO! we went to the show, only to find out it wasn't going to start for another couple of hours. Awesome. We went and ate at McDonalds, and then hung around until the show started.
    The first band was some two piece black/death metal band from Long Island that I didn't catch the name of. I probably wouldn't be able to pronounce it anyway, so I didn't bother asking anyone. They were alright, A bit to wanky for my tastes. I'm sure in a few years they will be huge.
    After them local D-Beat band Iron Hand played. THey were pretty sick, for a D-Beat band. They sounded a lot like World Burns to Death. I can never get sick of D-Beat, no matter how many bands i've seen that play in that style. They all sound exactly the same and I love it.
    Up next was Ashdautas. They were one of the touring bands. You could tell they were all fucking stoned out of their minds. It was like they were all playing different parts in their own worlds were through the thick fog of pot smoke they decided to play as fast and intricately as possible. The vocalist was wearing a stupid robe and had a reverb effect on his vocals, which were pretty sick, but i couldn't see past the dumb ass robe. The drummer was just blasting away and the guitarist had an almost clean tone an was playing psychedelic chords slowly, but everything seemed to make sense even though everyone was in there own world. It was great. I really wish I bought their album.
    Bone Awl was next. Honestly, their production really adds a lot to their songs. Seeing them play live was a huge letdown. While they were enjoyable, I had to keep telling myself that this was Bone Awl and not some really terrible local punk band. The vocals sounded nothing like they do on the records and while the guitar tone was harsh it didn't translate well to the live setting. The bassist didn't move at all and had his back to the audience the whole time. The drummer played powerfully but his beats are so rudimentary it didn't even matter. Overall I liked their set, but I doubt I would go see them again. That didn't stop me from buying two tapes of theirs that I don't have.
    Up next was Volahn. These guys were members of Ashdautas, but basically they switched around instruments. They were much more cohesive and totally sick. They had a different drummer, who was fucking insane. They reminded me of bands like Deathspell Omega or Leviathan with much less spacey parts, and all attack. Their second guitarist (who played drums in Ashdautas) was killing his guitar, playing almost exclusively downstrummed chords, and noisy feedback. they were fucking sick. I bought their LP, which I have yet to listen to. All in all a good show.
    We then drove home, which it proceeded to rain en route. I got home at around 3AM and i had work at 9AM the next morning. good times.
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  • My Top 50 Albums of 2009 (Updated Regularly)

    4 Tem 2009, 19:18 yazan Acquiescence

    I’m taking a different approach to the obligatory Top 50 Album list this year. Instead of waiting until the end of the year I'll be unveiling my fav's one by one over the course of the coming months. For now, I thought it would be fitting by starting with my most favoured album of 09 so far.


    Leaves - We Are Shadows

    Music, at its heart, is an escape, an art form capable of transporting the listener to any desired place through sound alone. Sure, cultural relevance is all well and good, the socio-political commentary that fuels hip hop or the aggressive protestations at punk rock’s core undeniably serve their purpose and no doubt, music is a multifaceted medium. But honestly, how often do we want to be reminded of life’s grim realities, especially amid the doom and gloom of these current recession-wracked times. With the release of their third album, Leaves understand this better than anyone.

    The Icelandic quartet, comprising of Arnar Guðjónsson (vocals, piano, guitar), Hallur Hallsson (bass), Nói Steinn Einarsson (drums) and Andri Asgrimsson (keyboards) were dealt a serious blow back in 2005, having been dropped by Island Records soon after the release of second long-player The Angela Test. With no desire of being remembered as major-label also-rans, the band took the DIY approach to making music, setting up their own studio and undertaking production duties. Needless to say, the decision was a wise one, the absence of label interference has allowed them to hone their skill and blossom as a band, masterminding an album that eclipses not just their more-than-formidable back catalogue but practically any other release this century.

    It’s worth nothing that, despite hailing from Reykjavik, Leaves hold an unusual British influence that has seen them garner eye-rolling comparisons to Coldplay since their origin. While there is no denying the resemblance Guðjónsson possesses to Martin’s distinctive warble, their musical aesthetic owes far more to the cinematic, genre-hopping soundscapes of Manc melancholists Doves. And much like that band’s seminal breakthrough album The Last Broadcast, what Leaves have conceived with their third effort is a masterclass in escapism. Finding resonance and emotion in the elemental - each track is its own separate environment, its own force and aura. And for 56 minutes of nigh-on aural perfection, We Are Shadows is fearless in its pursuit of the grandest sound.

    And grand it begins as atmospheric opener ‘The Harbor’ announces Leaves’ return with a rising torrent of noise that succumbs to blaring horns and pounding Phil Spector drums. In the tradition of all Leaves albums it is a mournful beginning, Guðjónsson crooning wearily amid a musical milieu of rain-lashed, grimy desolation, the spindly harpsichord lurking in the background contributing to the bleak mood. There is more than a hint of resentment, perhaps disillusionment aimed at an industry that has left the Icelandic collective to fend for themselves, but the undulating power brimming within ensures the mood is more propulsive than oppressive.

    By almost stark contrast ‘Aeronaut’, as its title would imply, soars with an easy buoyancy. With a prelude of swelling violins and the opening couplet of ”Through cirrus clouds, a whispering sound/I keep on climbing without looking down”, the song’s intentions are made immediately clear as it swiftly becomes an embracing singalong of genuine uplift, reaching a simple yet rousing chorus that is classic Leaves. It’s blindingly obvious, and a little hackneyed maybe, that the metaphorical pilot of the title is an expression of forward direction, freedom, pressing onwards in spite of oncoming turmoil. But through a superbly realised composition such as this, it’s hard not to be swept off one’s feet.

    ‘Planets’ is most note-worthy for the lingering organ heard at the start which bears a baffling similarity to some of the pieces heard on 植松伸夫/Nobuo Uematsu’s seminal Final Fantasy VII soundtrack. Trivial comparison aside, it swells graciously from understated ethereality into a doom-laden bombast but suffers somewhat from being wedged in-between two of the best songs on the album.

    Which brings us to ‘All The Streets Are Gold’, the most commercially viable track and, had We Are Shadows been a major-label release, a guaranteed lead-single. Right from the tumbling drum rolls it launches into a shimmering, upbeat pop-assault, decorated in luminous colours and veering from verse to chorus in quick succession. At least until the halfway mark, when the song’s structure is subverted and the tone takes a turn for the bittersweet, previously suppressed layers of melancholy now accentuated through a host of weeping keyboard effects and guitars, Guðjónsson crying out as if he’s in the throes of death. Based solely on the first half, ‘All The Streets Are Gold’ serves as a hugely adept pop song. Paired with the second, it’s something quietly devastating.

    An excursion from the melodrama, ‘Dragonflies’ falls under the guise of standard orchestral fare, all billowing strings and the sporadic rumble of an orchestral bass drum. That is before a light caressing of harp, stabbings of techno and a dance-like drum beat are gradually integrated into the mix, eventually culminating in a vivacious, disco-esque shuffle, topped off with an extended guitar wig-out for good measure. The perplexing nature of the song is also its ultimate triumph, a fusion of unlikely instruments shouldn’t mesh together so fluently. How Leaves pull it off is a head-scratcher, but they do, with effortless style and ingenuity.

    Making its first appearance on the bands myspace page in 2005, ‘Kingdom Come’ sounds just as vital now as it did back then, showcasing Leaves at their heaviest with a no-nonsense slice of space-rock. Amongst the onslaught of galloping drums and star-gazing guitar riffs, Asgrimsson’s synths run amok, gathering a sci-fi flair whilst Hallsson’s earth-shaking bass manages to tie the mayhem together. But it’s the various assortment of production flourishes, ranging from the marching footsteps during the bridge that sound like an approaching army to the otherworldly vocal effects towards the songs conclusion, that give ‘Kingdom Come’ real textural depth. As the song escalates to a juddering climax of erratic Muse-esque proportions, it’s hard not to imagine it as the soundtrack to space exploration.

    The next track, and undoubtedly the centrepiece of We Are Shadows, is a 6 minute instrumental that signals Leaves’ most daring, ambitious work yet. If ‘Jetstream’, the opening track from Doves’ Kingdom of rust, is indeed an “imaginary song to the end of Blade Runner” (as described by frontman Jimi Goodwin) then the Vangelis influenced ‘Motion’ could soundtrack it’s opening shot, that wondrous first unveiling of a huge dystopia stretching as far as the eye can see. Encircled around an echoing guitar line, ‘Motion’ constantly adds and peels off layers, meticulously applying all manner of electronic touches to create an immersive, cinematic vision. It’s here where (presumably) Asgrimsson’s skills really come to the fore, utilizing his keyboard wizardry to capture the palpable pulse of a neon-stained megapolis, conjuring a myriad of visuals through waves of futuristic synthesizers and enveloping distortion, up until the very last solitary sound, the dying heartbeat of a city. And then the journey is over.

    Swapping dystopia for utopia, the appropriately titled ‘The Painting’ is a thing of irrepressible beauty. A pastoral symphony, it comes replete with all the technicolour sweep and bluster of an MGM musical and features Guðjónsson’s most impressive vocal performance yet, his unstoppable octave-surfing enforced by an aural splendour of angelic harmonies and swirling strings. As birds chirp happily in the background it fades out with a serene coda of country-tinged acoustic guitar plucking, an idyllic finish to a song utterly at peace with itself.

    ‘Raven’ follows the same starward trajectory as ‘Kingdom Come’, but rather than tearing through space at hyperspeed it invokes images of entering a newly discovered planet, nose-diving through its atmosphere in a blaze of awesome fire. Put frankly, ‘Raven’ is a gargantuan song, even by Leaves’ standards. Always verging on the pompous, it rides the crest of its astronomical central riff, by aid of tolling church bells and whiplash drums, to an inevitable chorus of insurmountable proportions. The seemingly nonsensical lyrics (“The sun still shines but there’s a shadow/We hide beneath the ocean waves/The old black raven is here to steal our souls/Close your eyes when it goes by”) only contribute to its fantastical grandeur.

    The title track presents a moment of quiet introspection, a stripped-back ballad revolving around a softly-sung vocal and simple piano motif that coalesce to form an almost classical sensibility. Guðjónsson’s voice has never sounded so pure and tender, a warm amber glow warding off the harsh, wintry ambience that surrounds it. And however brief ‘We Are Shadows’ may seem, as the last of the piano notes drift away it’s haunting beauty resonates long after.

    As the album draws to a close We Are Shadows signs off with a sky-rocketing prog-rock opera that incorporates elements of krautrock and psychedelia to craft one last bout of intergalactic discovery. ‘With Drums We March The Streets’ is, aptly, a drum-led track that provides Einarsson with his finest moment, channelling the Secret Machines skin-beater Josh Garza for unyielding battering-ram immensity, his domineering drums a fixation throughout. His bandmates pursue him with slowly-but-surely escalating walls of astral wonderment, backed by Guðjónsson’s declaration of “With drums we march the streets/ Can you hear us?”, in turn broadcasting Leaves’ staying power, a refusal to be ground down by whatever opposing forces dare stand in their way. By the climax, he offers the victorious parting message of “I am part of you/As you are part of me” amidst a supernova of glorious noise that’s like a shot of adrenaline straight to the heart, a fist-pumping assertion of unity between band and listener, squeezing every last drop of emotion out of its euphoria. It’s a fitting, and more than worthy, denouement to an album unashamedly huge in its scope.

    We Are Shadows doesn’t just serve as a mere progression onwards from two already excellent albums. It is Leaves’ magnum opus, achieved by a broadened sonic canvas and resolute willingness to further push their own musical boundaries. They’ve never sounded more confident, leaving the competition trailing in their wake. In fact, We Are Shadows’ only handicap is its self-released status, something that may well deny Leaves reaching even a modicum of the widespread acclaim a record of this magnitude so amply deserves. Don’t let that be the case.

    10/10

    Standout Tracks – ‘Motion’ ‘All The Streets Are Gold’ ‘Aeronaut’ ‘With Drums We March The Streets’ ‘Kingdom Come’ ‘The Painting’
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  • Woo hoo! Official Citadel ® iPhone Music, Photos, Links, Puzzles - wow!

    5 Tem 2009, 02:58 yazan CITADELsongs

    Just what you've been waiting for - - the Citadel ® iPhone app is ONLINE!!!

    Woo hoo! Official Citadel ® Music, Photos, Links, Puzzles - wow!

    Get it by clicking below while it's only .99!

    http://www.facebook.com/l/;http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=320378200&mt=8&partnerId=30&siteID=ibjSM6AV2mI-cIK6NaMPJQv908N04uzRSg

    And, if you really want to be buds, pass this link around to your friends, go ahead and Digg, Furl, Tweet or Ping - just help get the word out and get people on the Citadel ® iPhone Application!

    See ya there!


    Plus, the new Citadel ® CD is still on presale at CDBaby - you can still get it for $4 if you hurry!
    at http://www.cdbaby.com/cd/citadel5

    Citadel is registered tradename (the ® is real) - Since '79 - The First, The Original - 30 years and counting - the ProgFest Co-Founders - Prog Rock Folk Metal - Skip those amatuer unimaginatives that can't come up with their own name look for the true Citadel by finding the ®


    Citadel ®
    Citadel®
    Citadel


    citadel
    progressive rock
    prog rock
    citadelband
    citadelmusic
    citadelsongs
    usa
    whitman
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  • An unusual pact

    4 Tem 2009, 23:57 yazan iamcardboard

    As I write this, I am 21 minuets and 47 seconds into a 24 hour pact that I hold with Jose (PepePerey).

    Some background info for those of you who can't tell by my scrobbles... *ahem*... I'm a little bit obsessed with Sigur Rós and a lot of Sigur Rós side projects, I don't seem to be able to last 1 day without listening to something by Sigur Rós or by a band with a member of Sigur Rós in it. In actual fact, I can't even go an hour without recommending Sigur Rós to someone... and what's really worrying, is that I've been caught mumbling the word Sigur Rós to myself on regular occasions, and have even found myself waking up abruptly and shouting the words Sigur Rós!! I've used my "Alt Gr" key so much just to type that special ó in Rós from the word Sigur Rós so much that my key is fading!! (precious "Alt Gr"!)

    So Jose has made a pact with me, it's relating to Sigur Rós... in case you were wondering...

    He will listen to a few set bands relating to Sigur Rós on my recommendation, only if I go for 24 hours without listening to Sigur Rós or any band relating to Sigur Rós including (But not limited to); Sigur Rós (Duh), Riceboy Sleeps, Frakkur, Kjartan Sveinsson, Slowblow and Amiina

    This is going to be tough... it's now been 33 minuets and 21 seconds and already I'm twitching my head, and instead of mumbling Sigur Rós at regular intervals, I'm squeaking the words "eek!" mixed with "ekieki" and the words Sigur Rós... I've been informed that this is in-fact... not healthy.

    On the other hand, I've been learning to play Piano, and our pact specifically did not include playing Sigur Rós music on the piano ^_^. This makes me a happy bunny :D

    Jose! You had better frakkin' enjoy Frakkur!

    In other news, I've been donated a Violin, and I'm also trying to learn music by Neutral Milk Hotel on my Ukulele. Fans of Neutral Milk Hotel (and anyone else with folksy taste in music) will most likely appreciate the below video (And before you ask... Yes, the comment on youtube addressed to the charming man playing the ukulele asking him for his hand in marriage.... yes... that's me :P.


    Or this link will take you directly to this video on youtube.

    Charlie x

    A million and one edits due to being tired (It's late!) and not being very good at BBCode lol... BBCode wtf?
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  • Why do so many people seem to hate gay people?

    4 Tem 2009, 18:37 yazan ZoidbergatKHI

    Title.

    Why do people hate gay people? I don't understand it. They're people, just like you and me, but they've just made a different choice than you. It's similar to religion. Hating Jewish people is pretty much the same thing as hating gay people.

    So uh yeah.
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  • [bat-cave.pl] recenzja White Lies - To lose my life...

    4 Tem 2009, 12:42 yazan michass

    Czasami, czytając muzyczne recenzje w oficjalnych mediach, odnoszę wrażenie, że osoby je piszące tak naprawdę nie słuchają żadnych z tych albumów. Ignorancja recenzentów zadziwiająca jest zwłaszcza w przypadku opisywania zespołów inspirujących się muzyką nowofalową i post-punkową; niekiedy odnieść można wrażenie, że dziennikarze muzyczni z muzycznej alternatywy lat osiemdziesiątych kojarzą jedynie Joy Division i, ewentualnie, The Cure. Czasem zastanawiam się, jakie bzdury muszą być wypisywane na temat muzycznych stylów, w których raczej nie za bardzo się orientuję, gdzie nie jestem w stanie wyłapać takich bredni, jakie wypisuje się na przykład na temat debiutu White Lies.
    więcej
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  • The Top 50 Albums for me

    3 Tem 2009, 21:23 yazan linuxkirby2468

    linuxkirby2468's top albums (overall)
    1. The Beatles - Rubber Soul [UK] (32)
    2. The Beatles - The Beatles 1 (29)
    3. George Harrison - Live in Japan Disc 1 (27)
    4. John Lennon - The John Lennon Collection (24)
    5. Parry Gripp - Do You Like Waffles? (23)
    6. Led Zeppelin - Led Zeppelin [Box Set] Disc 1 (23)
    7. The Beatles - A Hard Day's Night [UK] (22)
    8. The Beatles - Magical Mystery Tour (21)
    9. The Rolling Stones - Hot Rocks, 1964-1971 Disc 1 (21)
    10. They Might Be Giants - Flood (6)
    11. U2 - The Joshua Tree (5)
    12. U2 - No Line on the Horizon (4)
    13. Paul McCartney - Paul Is Live (4)
    14. Coldplay - Viva la Vida or Death and All His Friends (4)
    15. Paul McCartney - Memory Almost Full (4)
    16. George Harrison - Let It Roll - Songs Of George Harrison (3)
    17. They Might Be Giants - The Else (3)
    18. Paul McCartney & Wings - Wingspan - Hits and History (Remastered) (3)
    19. George Harrison - Live in Japan Disc 2 (3)
    20. Paul McCartney & Wings - Band on the Run (3)
    21. They Might Be Giants - Factory Showroom (3)
    22. John Lennon - Lennon Legend: The Very Best of John Lennon (3)
    23. U2 - How to Dismantle an Atomic Bomb (2)
    24. The Beatles - Please Please Me (2)
    25. Ringo Starr - Liverpool 8 (2)
    26. Julian Lennon - Valotte (2)
    27. Harold Budd/U2 - No Line on the Horizon (2)
    28. Paul McCartney - McCartney (1)
    29. Cream - Disraeli Gears (1)
    30. Coldplay - X&Y (1)
    31. The Who - Live From Isle Of Wight (1)
    32. Paul McCartney & Wings - Wings Over America (Disc 2) (1)
    33. Kyle Gabler - World of Goo Soundtrack (1)
    34. Weezer - Weezer (1)
    35. The Weird Al Show - The Weird Al Show, Complete Series (1)
    36. "Weird Al" Yankovic - In 3-D (1)
    37. "Weird Al" Yankovic - Even Worse (1)
    38. George Harrison - The Best of George Harrison (1)
    39. Ringo Starr - Ringo (1)
    40. Paul McCartney - Wingspan - Paul McCartney Hits And History (1)
    41. George Harrison - Best of Dark Horse 1976-1989 (1)
    42. Eric Clapton - Pilgrim (1)
    43. Parry Gripp - For Those About To Shop (1)
    44. Huey Lewis & The News - Greatest Hits (1)
    45. Paul McCartney - All the Best (1)
    46. The Zambonis - The Tarquin Records All Star Holiday Extravaganza (1)
    47. They Might Be Giants - Lincoln (1)
    48. John Linnell - State Songs (1)
    49. Coldplay - Parachutes (1)

    Top albums generator
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  • The Top 50 Albums for me

    3 Tem 2009, 21:23 yazan linuxkirby2468

    linuxkirby2468's top albums (overall)
    1. The Beatles - Rubber Soul [UK] (32)
    2. The Beatles - The Beatles 1 (29)
    3. George Harrison - Live in Japan Disc 1 (27)
    4. John Lennon - The John Lennon Collection (24)
    5. Parry Gripp - Do You Like Waffles? (23)
    6. Led Zeppelin - Led Zeppelin [Box Set] Disc 1 (23)
    7. The Beatles - A Hard Day's Night [UK] (22)
    8. The Beatles - Magical Mystery Tour (21)
    9. The Rolling Stones - Hot Rocks, 1964-1971 Disc 1 (21)
    10. They Might Be Giants - Flood (6)
    11. U2 - The Joshua Tree (5)
    12. U2 - No Line on the Horizon (4)
    13. Paul McCartney - Paul Is Live (4)
    14. Coldplay - Viva la Vida or Death and All His Friends (4)
    15. Paul McCartney - Memory Almost Full (4)
    16. George Harrison - Let It Roll - Songs Of George Harrison (3)
    17. They Might Be Giants - The Else (3)
    18. Paul McCartney & Wings - Wingspan - Hits and History (Remastered) (3)
    19. George Harrison - Live in Japan Disc 2 (3)
    20. Paul McCartney & Wings - Band on the Run (3)
    21. They Might Be Giants - Factory Showroom (3)
    22. John Lennon - Lennon Legend: The Very Best of John Lennon (3)
    23. U2 - How to Dismantle an Atomic Bomb (2)
    24. The Beatles - Please Please Me (2)
    25. Ringo Starr - Liverpool 8 (2)
    26. Julian Lennon - Valotte (2)
    27. Harold Budd/U2 - No Line on the Horizon (2)
    28. Paul McCartney - McCartney (1)
    29. Cream - Disraeli Gears (1)
    30. Coldplay - X&Y (1)
    31. The Who - Live From Isle Of Wight (1)
    32. Paul McCartney & Wings - Wings Over America (Disc 2) (1)
    33. Kyle Gabler - World of Goo Soundtrack (1)
    34. Weezer - Weezer (1)
    35. The Weird Al Show - The Weird Al Show, Complete Series (1)
    36. "Weird Al" Yankovic - In 3-D (1)
    37. "Weird Al" Yankovic - Even Worse (1)
    38. George Harrison - The Best of George Harrison (1)
    39. Ringo Starr - Ringo (1)
    40. Paul McCartney - Wingspan - Paul McCartney Hits And History (1)
    41. George Harrison - Best of Dark Horse 1976-1989 (1)
    42. Eric Clapton - Pilgrim (1)
    43. Parry Gripp - For Those About To Shop (1)
    44. Huey Lewis & The News - Greatest Hits (1)
    45. Paul McCartney - All the Best (1)
    46. The Zambonis - The Tarquin Records All Star Holiday Extravaganza (1)
    47. They Might Be Giants - Lincoln (1)
    48. John Linnell - State Songs (1)
    49. Coldplay - Parachutes (1)

    Top albums generator
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  • NAVEL: NEW SINGLE «JOHN Q PUBLIC» / «HERE'S A SONG» OUT AUGUST 7, 2009 ALL OVER…

    3 Tem 2009, 20:57 yazan fischyou

    yeah

    summer's almost gone. =;-)

    NAVEL announce new Single «JOHN Q PUBLIC» / «HERE'S A SONG».
    out August 7, 2009 all over Europe as 7inch and digital.

    A single with 2 A-sides, promised. Dirty, raw, straight, loud and LOVE.



    SUMMER WILL STAY LONGER THIS YEAR

    download «No Harm» now for free, it's 7 minutes of R.O.C.K.
    ÇalNo Harm

    merci

    cheers, Peace & Sabotage

    NAVELgang

    Navel
    Louisville Records
    NAVEL Video Premiere «John Q. Public»
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  • Die Schwarze Nacht / Reanimationsfeier vom 13. Juni 2009

    3 Tem 2009, 20:53 yazan mrnin

    Thanks to everyone who attended our "Reanimationsfeier" at the 13th of June 2009! We're looking forward to see you again tomorrow night at the original "Schwarze Nacht" in Lüneburg. See www.myspace.com/snlg or www.snlg.de for details.
    regards - Thorsten S.

    Here is an excerpt from our reanimation playlist ...

    Die Krupps - Neue Helden (Girls under Glass)
    Patsy Cline - Back In Baby's Arms
    Antiworld - Graveyard ghouls
    The Other - Beware of Ghouls
    Misfits - Ghouls Night Out
    The Other - Beware Of Ghouls
    Einstürzende Neubauten - Haus der Lüge
    Nick Cave - Red Right Hand
    Patti Smith - Horses
    Hunting Lodge - Tribal Warning Shot (studio version)
    The Cure - Killing an Arab
    Siouxsie & The Banshees - Red Light
    Malaria - Your Turn to run
    New Days Delay - Uniform
    Amanda Palmer - Runs In The Family
    Grauzone - Wütendes Glas
    Alien Skull Paint - Fly with Me
    Spizz Energi - soldier soldier
    DAF - Alle gegen Alle
    din a tod - Living Dead
    Stillste Stund - Die Hure Babylon
    Goethes Erben - 5 Jahre
    Oomph! Feat. Nina Hagen - Fieber
    Das Ich - Destillat (vnv nation remix)
    And One - Deutschmaschine
    VNV Nation - Epicentre
    Qek junior - Neue Ästetik (kalt und steril)
    Misfits - Scream!
    Schwefelgelb - Dann ist das gut
    Die Perlen - Beweg Dich Nicht
    Wumpscut - Schlechter Mensch
    Wumpscut - Soylent Green (unreleased ext. remix)
    Combichrist - Get Your Body Beat
    Straftanz - Straftanz (ost)
    Faderhead - TZDV (original)
    Feindflug - (Stukas) Im Visier
    Snarph! - Ausgebrannt
    Suicide Commando - Bind, torture, kill
    Grendel - Hate this
    Deine Lakaien - Over and Done
    Faith and the Muse - Cantus
    Ordo Rosarius Equilibrio - Can you hear the Devils laughing (or is it just me)
    Rome - Wir Götter der Stadt
    Depeche Mode - See you
    Boytronic - You (sexy body mix)
    New Order - Blue Monday
    trans x - Living on Video
    Soft Cell - Sex Dwarf
    Divine - Shake It Up
    The Cramps - Human Fly
    Der Fluch - Werwolf
    United Balls - Pogo in Togo
    The Dresden Dolls - Coin-Operated Boy
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    Soft Cell - Tainted Love
    vive la fete - Noir Desir
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    DAF - Der Räuber und der Prinz
    Malaria! - Kaltes klares Wasser
    Red Zebra - I can't live in a living room
    Alien Sex Fiend - Dead And Buried
    Christian Death - Romeos Distress
    Joy Division - Dead Souls
    Tito & Tarantula - After Dark
    Nitzer Ebb - Murderous
    Depeche Mode - Just can't get enough
    And One - Big in Japan (live)
    welle erdball - Arbeit adelt
    Schwefelgelb - Stein auf Stein
    vive la fete - Mais
    Fad Gadget - Lady Shave
    The Smiths - Bigmouth strikes again
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    Alien Sex Fiend - I Walk The Line
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    The Dresden Dolls - Missed Me
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    She Wants Revenge - I Don't Wanna Fall In Love
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    Schwefelgelb - unter deiner haut
    Der Plan - Da vorne steht `ne Ampel
    Trio - Anna
    Qek junior - Polizisten
    Ideal - Erschießen
    Livia - Your Affection
    Cinema Strange - Intermezzo Bright Violet Euphoria
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