• What Countries are your top 50 from?

    10 Haz 2009, 03:48 yazan iwc2ufan99

  • 30 Things about Your Top 30

    10 Haz 2009, 03:32 yazan iwc2ufan99

    1. How did you get into 29?
    I got into Maria Rita through a class I took on music in Portuguese at the U of MN.

    2. What was the first song you ever heard by 22?
    No idea. I first heard Locksley on tour with Hanson, so I don't remember what the very first song was. Something off of Don't Make Me Wait I suppose.

    3. How many albums by 13 do you own?
    I'm actually not sure. I'd guess maybe 7-10 Queen records, most of which are live or greatest hits. I think the only "proper" studio record I have of theirs is A Night at the Opera.

    4. What is your favorite song by 15?
    ÇalCiega, sordomuda for the Spanish stuff and ÇalFoolfor the English stuff.

    5. What is your favorite song by 5?
    Pencils in the Wind

    6. Is there a song by 6 that makes you happy?
    haha, not exactly. Type O Negativearen't really about happiness, not even kind of. I think the most positive feeling I get from them is feeling a bit, shall we say, amorous to songs like Love You To Death and Be My Druidess.

    7. What is your favorite song by 10?
    So hard to pick just one because all of goddamned is wicked, but ÇalHalf Boyfriend.

    8. What is a good memory you have involving 30?
    Ish, bad question. Manu Chao mostly reminds me of Will, which as I can't be with him anymore mostly makes me pretty miserable, therefore ruining Manu for me.

    9. Is there a song by 19 that makes you happy?
    Sort of. I tend to listen to Everybody Else when I want to trivialize my pain because it's so vapid in a lot of ways. It's that sunny California superficial sort of life/sound portrayed in the music. In a weird way, songs like ÇalMeat Marketmake me happy, yet also kind of keep me depressed.

    10. How many times have you seen 26 live?
    29, though never on his own, always with Hanson.

    11. What is the first song you ever heard by 23?
    Haha, no idea. Bob Dylan's music is all over the place and I've heard it gradually my whole life.

    12. What is your favorite album by 11?
    It's Bad For Ya. Absolutely classic. I love George Carlin so much.

    13. Who is your favorite member of 1?
    Taylor Hanson since I was 14. The other two are great guys, but I feel like even if Hansonstopped being a band, as long as Taylor still made music, I'd be okay with that.

    14. Have you ever seen 14 live?
    I have seen Tinted Windows live once and may soon again I hope.

    15. What is a good memory involving 27?
    Joan Osborne, probably just seeing her live. It was a good show. I also have had some nice "pleasantly in love" moments to ÇalRighteous Love, but those all kind of came crashing down on me once it became clear I would not get relationships with those men, so that taints them a bit.

    16. What is your favorite song by 16?
    ÇalStupid, as I am frequently that, lol. I'll always really love ÇalDo What You Have to Do too, though it makes me sad. Sarah McLachlan is an amazing artist all around though. I tend to relate to most of her music.

    17. What is your favorite album by 18?
    Hands down, ÇalUnlovable. Story of my life. I love a lot of Darren Haye's work though, both solo and with Savage Garden.

    18. What is your favorite song by 21?
    Fico assim sem você even though it makes me sad.

    19. What is the first song you ever heard by 25?
    ÇalMmmbop lol - the artist is Taylor Hanson though, not just Hanson for 25 really, but still true.

    20. What is your favorite album by 2?
    Rhode to Road Island probably, it's such a classic. OhSeth MacFarlane<3

    21. What is your favorite song by 3?
    Milwaukee as it's my theme song, but also Hearts In Pain as that comes up a lot too and that's my favorite song they've ever done live.

    22. What is your favorite song by 8?
    ÇalSampabecause São Paulo will always have a place in my heart.

    23. How many times have you seen 17 live?
    Never sadly as Vince Guaraldi died long before I was born :(

    24. What is the worst song by 12?
    No idea, that's just not a question that works as well with this style of music (jazz). Vince Guaraldi Trio btw.

    25. What was the first song you ever heard by 28?
    Once again, no idea, as I first saw The Kin live randomly without knowing their music at all.

    26. What is your favorite album by 7?
    Kabul Shit. My favorite Lily Allen song used to be ÇalChinese, but that's been a bit tainted by lost love. I do hate it when that happens.

    27. What is your favorite song by 24?
    You can't have one favorite Elvis Presleysong, no :-p Can't Help Falling in Love With You has always been up there though.

    28. Is there a song by 9 that makes you happy?
    Hmmm, that depends on my life at the time. Antônio Carlos Jobim was amazing, but they are very lovey dovey songs, so I have to feel good about love to have his songs make me happy per se. Otherwise they mostly just give me high doses of saudade. If I'm feeling good about love though, ÇalCorcovado definitely does.

    29. What is your favorite album by 4?
    Abbey Road, definitely. It's such a classic.

    30. How many albums do you own by 20?
    I have all the Mandy Moore records.
  • Change

    14 Oca 2009, 02:39 yazan Ananda--

    Dois anos são muita coisa pra se falar de música. Nesse tempo você descobre 7654321 bandas, 987654321 músicas e acaba gostando de 654321 delas. Vou tentar falar resumidamente.

    Primeiro Ano
    2007 certo? Naquela época eu tinha aversão à bandinhas e bandas da moda. Não mudou em relação ao modismo, mas, retiro tudo o que disse sobre as bandinhas. Se você tivesse visto a minha cara de otária quando eu descobri cada uma. Enfim, hoje eu posso dizer que gosto, mas, não enquadro no termo Rock ok? Não se pode dizer que aquele sonzinho com letras melosas de adolescentes seja. E eu lá gosto de Rock? Sim, eu gosto de Rock Nacional. E pra mim o ROCK de fato tem que ter alguma ideologia, coisa que essas bandinhas não tem. Eu posso ta completamente errada, mas, pra mim, no rock é isso que faz sentido; não só o ritmo em si, mas do que se trata. E só ficar fazendo barulho não tem nada a ver. Tá parei.

    A música em espanhol ainda era decisiva. Eu acho que era meio cega, não sei. De repente passei a procurar por músicas, artistas novos e fui aos poucos me desprendendo (mas isso só aconteceu em 2008). Comecei a dar mais espaço à música brasileira e afastar de mim as músicas americanas. É, eu também tenho aversão-não-completa à elas. É realmente difícil você me ver escutando algo em inglês e pior, ficar viciada. Desistam, não me rendo a isso. Não consigo me simpatizar, talvez se eu não fosse tão ignorante e me levantasse pra estudar a língua poderia gostar mais, por simplesmente entender as letras. Como não é o caso, dane-se. Não me faz falta.

    Queria ter muito meu histórico desse ano, e como eu tenho meu perfil da last de 2007 isso me ajuda. Definitivamente reina a música pop/balada em espanhol. As bandinhas estão lá, e a MPB tá muito tímida.


    Segundo Ano
    É, esse foi revolucionário. Esqueça o espanhol, a MPB dominou e me jogou no fogo do inferno. Fui seduzida e hoje não posso mais viver sem. Voltei a escutar artistas da minha infância: Cazuza, Tim Maia, Lulu Santos, Barão Vermelho, Rita Lee, Cássia Eller, Titãs, Kid Abelha. Não é por nada não, mas, fui criada com tudo do bom e do melhor. E por isso, conclui-se que fui criada à base de Rock Nacional. Lembrei de como tudo que eu escutava era realmente bom, me fez lembrar dos tempos da MTV próspera e todos felizes, vendo clipes de tarde até acabar o Disk MTV as 7 horas.

    Lembro também de quando reescutei Pagu (Rita Lee beibe) na voz da Maria Rita. Eu tava no mercado e de repente veio uma luz: sim, eu conhecia aquela música, tava cantando junto, mas, da onde conheço? Quem canta? Marisa Monte? Cássia Eller? NÃO. Até que uma alma piedosa me falou: Não é Rita Lee? É, quase desmaiei de alívio. Aquela agonia tava me matando. Bom, anedotas à parte, o fato é que a MPB voltou com tudo.

    Chico Buarque, Caetano Veloso, Elis Regina e everybody que faz parte do clássico da MPB. Dei muito mais espaço à bossa nova (paixão avassaladora), reduzi drasticamente as músicas em espanhol. Samba também entrou na parada.


    Conclusão
    Então o que mudou? Não parei de escutar, nem deixei de gostar de músicas em espanhol, longe disso. Só passou o tesão entende? Hoje eu escuto só quando tenho vontade e não porque só tenho isso pra escutar. Em 2007 eu deveria ter, sei la, 1000, 1500 músicas no computador. Hoje são mais de 7.000. Isso porque eu já tirei muita tralha, veja você. E eu posso dizer que eu sou eclética não só porque escuto músicas de duas (diria até quatro) línguas, mas porque tenho um leque de ritmos, estilos e afins pra escutar. Quantas vezes já escutei Luis Miguel, passei pra Bezerra Da Silva, fui escutar Los Hermanos, depois passei pra Tom Jobim e coloquei em música ranchera (leia-se mariachi)? Milhares. Então, apesar de estar apegada a tudo o que eu escuto, sempre vou estar disposta a descobrir coisas novas.
  • tchururu

    28 Tem 2008, 01:20 yazan cataploft

    10. Radiohead
    Primeira: Creep
    Paixão: Idioteque
    Atual: Fake Plastic Trees

    09. The Beatles
    Primeira: Love Me Do
    Paixão: Can't Buy Me Love
    Atual: I'm Happy Just To Dance With You

    08. Ana Carolina
    Primeira: Garganta
    Paixão: Trancado
    Atual: Corredores

    07. Interpol
    Primeira: Slow Hands
    Paixão: Say Hello to the Angels
    Atual: Wrecking Ball

    06. Tom Jobim
    Primeira: Águas de Março
    Paixão: Chega de Saudade
    Atual: Chega de Saudade

    05. Coldplay
    Primeira: Yellow
    Paixão: Shiver
    Atual: God put a smile upon your face

    04. The Kooks
    Primeira: She moves in her own way
    Paixão: Gap
    Atual: No Longer

    03. Los Hermanos
    Primeira: Anna Julia
    Paixão: Retrato pra Iaiá
    Atual: Bom dia

    02. Arctic Monkeys
    Primeira: I bet you look good on the dancefloor
    Paixão: 505
    Atual: The Bakery

    01. Elliott Smith
    Primeira: Waltz #2
    Paixão: Waltz #2
    Atual: Bled White
  • The real indie is in NON-English Countries / El verdadero indie no está en paises…

    25 Tem 2008, 01:27 yazan tinosoft89

    Los verdaderos géneros que son en realidad independientes y que nunca se van a comercializar en MTV, ni en MySpace, pero aun seguirá con su flama viviente a travez de los tiempos, donde la única paga de esta música será un donativo de 5 pesos para ayudar al artista (0.5 USD), mayoria de este VERDADERA musica indie ha sido casi olvidada por las nuevas generaciones, otras las conservan en lo mas profundo de su mente de los recuerdos de su corazón.



    Los mayores exponentes de este generos son los tríos musicales como Los Panchos, Los Tres Ases, Los Dandys, artistas que en sus tiempos fueron populares, no necesitaban sacar disco, pura tocada en vivo en bares y clubs de la mejor categoria, incluso cantaban al aire libre y era la musica romántica de su época.

    No requería mas que un instrumento y la voz de los tres cantantes.

    La única canción que representa que este género es ÇalGema.
    (NOTA: Luis Miguel trató de comercializarlo y no le funcionó, pero El Madrugal de Cafe Tacuba convenció :D)



    Se sabe que desde hace mucho tiempo, para contar historias tenias que ir a un trovador, este te las cantaba para que estuviera mas entretenido, aun siguen haciendolo, pero no hay que pedirles, ellos nos cuentan historias de desamores, la vida segun el criterio del cantante, la historia en la que se inspiró para cantarla, homenaje a otros artistas, en fin, la trova es una de las musicas indie/alternativas que la mayoria deberia sentirse orgulloso.

    Muchos cantantes como Silvio Rodriguez, Joaquín Sabinas, Pablo Milanés, Joan Manuel Serrat e Ismael Serrano son los mas populares acualmente en este género.

    La trova que mas me gustó fue la del Unicornio (Album Version), incluso varios temas de trovas lo cantan otros artistas de este genero y no hay que pedir regalias por ello.




    Ni que decir de este baile hecho en argentina, es el "blues latino", la canción de los desamores orgullosos, conozco muy pocos artistas de este genero, el uncio del que puedo acordarme es Carlos Gardel.

    Pueden buscar mas artistas en el tag oficial :D

    Incluso esta música es mas sensual que el mismo reggaeton, pero aun asi respetando a las féminas que nos adolecieron el alma.




    La bossa nova es un género musical de origen brasileño que surgió a fines de los años cincuenta, impulsada por un grupo de estudiantes y músicos de clase media procedentes de Copacabana e Ipanema, en los barrios de Rio de Janeiro situados junto a la playa. El nombre se puede traducir como "el ritmo nuevo" o "el camino nuevo " aunque etimológicamente significa "voz nueva". Se hizo muy conocida en Brasil gracias a la grabación de "Chega de Saudade", interpretada por João Gilberto y compuesta por Antonio Carlos Jobim y Vinicius de Moraes, tres de los principales exponentes de este género. en Brasil.

    Lo que puedo decir es que la mayoría de la Bossa nova que se conocen salió en los soundtracks de bewitched (Hechizada) y Mi bella genio (i Dream of Genie).




    Musica romantica y casi olvidada en su propia nación, conozco un montón, aunque los mejores son Mariachi Vargas de Tecalitlan, Jorge Negrete y el mismisimo comico Mario Moreno (Cantinflas) xD.

    Nuestra tradición era enamorar a cualquier mujer de su balcon regalarle una de nuestras hermoas melodias románticas a luz de la luna nocturna iluminada con el esplendor de sus ojos, la mas pura de las sonrisas, y si funcionaba obtendrias la fogosa felicidad en menos de loq ue cantaba un gallo.

    es bueno que un grupo creado por uno de mis amigos kb7clx, La Música Tradicional de México para no tratar de olvidarla como los s de la huasteca o las danzas del Xantolo (en español dia de muertos)

    Huapango


    Su música y danzas aun siguen vivas aun despues de la conquista, tradición milenaria de mis antepasados los huastecos :D, mas se aprecia esta musica en la danza de los viejitos en los dias de muertos.


    en fin, estos generos fueron olvidados con el rock vacio, el pop insulso, el reggaeton estridente, eMoTV, la manipulación mediatica de los sitcoms de Hannah Montana, aunque aun la tecnología trata de apoyarlos.
  • Swing Out Sister

    19 Haz 2008, 11:48 yazan fmera

    Swing Out Sister is a British pop musical group best known worldwide for their 1986 hit single ÇalBreakout.

    History
    Although Swing Out Sister is currently a duo, they began as a trio in the UK. The group was formed by Andy Connell (born Andrew John Connell, Jul 26, 1961, Nottingham; keyboards) and Martin Jackson (drums), and were later joined by Corinne Drewery (born Sep 21, 1959, Nottingham; vocals). The group's name came from a 1945 movie called Swing Out, Sister, and they reportedly chose the name because there was only one thing they could agree on: they all hated it! Both Connell and Jackson had been playing in other bands prior to forming SOS, while Drewery was actually a fashion designer and model before she became the band's lead vocalist.

    It's Better To Travel (1987, debut album)
    Together with their producer, Paul Staveley O'Duffy, they signed with Mercury Records Limited. Prior to their first album, they released the single ÇalBlue Mood in the UK in November 1985. However, it did not chart. In late 1986, the single "Breakout" was released. It peaked at #4 on the UK charts, and #6 in the United States. Consequently, when they released their debut album, It's Better to Travel, on May 11, 1987, it reached #1 on the UK album charts.

    The album registered with listeners for its mix of and , with a blend of real horns, synths (arranged subtly, to sound like strings), drums, and xylophones, scored by producer-arranger Richard Niles. The follow-up single to the effervescent "Breakout" was the brooding ÇalSurrender, which featured a trumpet solo performed by John Thirkell. It rose to #7 on the UK charts in January 1987. The next single was the more serious and jazzy ÇalTwilight World. This song was the subject of many remixes and was a dance club favorite worldwide. The final single Fooled by a Smile returned to the upbeat pop orientation characteristic of "Breakout".

    The group was subsequently nominated for two American Grammy Awards in 1988: Best New Artist and Best Pop Vocal Performance by a Group or Duo (for "Breakout").

    In addition to long-time partner O'Duffy as well as Thirkell, Swing Out Sister had also enlisted the talents of saxophonist Gary Barnacle (who with Thirkell also comprise the Henpecked Horns, known for their work with Level 42); percussionist Luis Jardim; guitarist Tim Cansfield; trumpet/fluegelhorn master Jerry Hey; and songwriter-arranger Jimmy Webb.

    Kaleidoscope World (1989)
    Original member Jackson, whose acoustic drums drove the "Surrender" single, left the group during the making of the second album, Kaleidoscope World. Although the liner notes give "special thanks to Martin Jackson" and his co-writing credits appear on the songs ÇalTainted and ÇalBetween Strangers, they also point out that "Swing Out Sister are Corinne Drewery and Andy Connell." Drewery and Connell have since become the core group on all subsequent albums. After leaving Swing Out Sister, Jackson later worked for Frank Zappa.

    Kaleidoscope World was released in May 1989 and achieved critical acclaim. Their turn away from contemporary styles towards retro musical sources on this album would establish the musical path that they would continue to follow with their subsequent albums. The duo found inspiration in music, from the likes of Burt Bacharach, as well as songwriter Webb, who arranged two tracks, ÇalPrecious Words and ÇalForever Blue, the latter "an impeccable example of the band's craft"1 which was "reminiscent of John Barry's classic ÇalMidnight Cowboy theme"2. The incorporation of an orchestra to their recordings realized their sound in a richer, fuller way than their previous effort which relied more heavily on synthesizers. Consequently, this album featured arrangements and a songwriting style that were more classical in inclination. The lead-off single ÇalYou on My Mind featured a more sophisticated blend of musical components than their previous efforts, while the upbeat tone of "Breakout" was echoed in the lead USA single ÇalWaiting Game. Further singles included ÇalWhere in the World and "Forever Blue".

    1, 2: http://www.asterion.se/sosblog.html

    Get In Touch With Yourself (1992)
    In May 1992, the group's retro orientation became even more evident in both their sound and image on their third album, Get in Touch With Yourself. With strong dance rhythms reverberating throughout the entire album, tracks draw influences from 1960s and 1970s , , , and , including a breezy cover of the Barbara Acklin late '60s classic ÇalAm I the Same Girl? (which became their last US hit, reaching #1 on the AC chart). The album's title track, a blend of 1970s soul music and modern pop, gained the duo heavy airplay on smooth-jazz radio and was a crossover hit, gaining airtime on adult contemporary stations. The musical influences of Stevie Wonder, The Jackson Five, and others would not only become evident in this album but continue on through their later releases. In line with the album theme, Drewery also grew out her hair from her trademark bob which had become a visual signature for their early years.

    The Living Return (1994)
    Numerous changes were afoot by the time their fourth album, The Living Return was released in September 1994. The replacement of producer Paul O'Duffy after initial studio sessions with Ray Hayden contributed to a looser, raw feel to the songs that were often the results of studio jam sessions. Though Drewery and Connell still fronted Swing Out Sister, additional musicians (including former 52nd Street bassist Derick Johnson; Pa'lante percussionist Chris Manis; drummer Myke Wilson, formerly of the Jazz Defectors; and trumpet player John Thirkell increased their group to 10 members that replicate the live performances that had been captured on the Japan-only release Live at the Jazz Cafe. The album featured the single and cover song ÇalLa La (Means I Love You), which was also included on the Four Weddings and a Funeral soundtrack.

    Shapes and Patterns (1997)
    Few of the band's releases charted highly on the pop listings in Western countries after their successful debut album (though they became radio-airplay staples on jazz stations). The band, however, became extremely popular in Japan. Their song ÇalNow You're Not Here (from their fifth album Shapes and Patterns, one of several released only in Japan) was used as the theme to a Japanese TV program, and received a Japanese 'Grand Prix' (the equivalent of a Grammy) for best international single in 1997.

    Shapes and Patterns was first released in Japan in March 1997, and then in Europe and USA the year after. Producer Paul O'Duffy, who co-wrote half of the songs, was back at the helm. As an orchestra was once again employed (led by Gavyn Wright), the lush arrangements characteristic of Kaleidoscope World resurfaced. The liner notes, written by Mary Edwards, point out the influences of Bacharach, Webb, and composer John Barry, which are perceptible in the string arrangements and rhythms, as well as that of Minnie Riperton, Rotary Connection, and The Fifth Dimension.

    The album included ÇalStoned Soul Picnic, a cover of Laura Nyro's original, as well as the original version of ÇalBetter Make It Better, which appeared in a different mix on their previous album. A pervasive longing marks songs such as ÇalNow You're Not Here, ÇalSomewhere in the World, ÇalYou Already Know, and ÇalIcy Cold as Winter. This album would also mark the beginning of the duo's use of Japanese musicians in their studio sessions.

    Filth and Dreams (1999)
    Filth and Dreams, their sixth album, proved yet again that Swing Out Sister were eager to reinvent themselves. The album was released in Japan in March 1999, and it remains the only album not released in any other country. This album featured stronger jazz leanings than some of their early pop-oriented albums, and is restrained in mood. The track ÇalWho's Been Sleeping was promoted as a single and released with several remixes. The album has a feel to it. For this record, SOS adapted to the growing popularity of in the late '90s. "Who's Been Sleeping" kicks off the record with an aggressive beat and a few hip-hop flourishes (such as Drewery's counting and uttering "Yeah..." in the background). The rest of the record incorporates such sounds a bit more subtly, through the soaring retro stylings of ÇalCloser Than the Sun and ÇalWhen Morning Comes, the excitable of the title track ÇalFilth and Dreams, to the mid-tempo trip-hop of ÇalInvisible and scratch-laced ÇalSugar Free. Traditional SOS sounds are challenged successfully with the dark if dreamy ÇalIf I Had the Heart and ÇalMake You Stay. Background noises, from phone conversations to child's play, are layered in to enrich the record and give the listener much more to cue in on. Drewery strays out of the usual love lyrics and colors a portrait of a darker world (as the title indicates) by singing about more urban subjects such as drugs (the eerie ÇalHappy When You're High) and prostitution ("When Morning Comes"). All of their experimentation works surprisingly well and the result is probably the strongest SOS outing to date. Ironically, Filth and Dreams is the first SOS record not released in their native England, and is currently the most difficult CD to find.

    Somewhere Deep in the Night (2001)
    A seventh album, Somewhere Deep In The Night, was recorded in France, and released in May 2001 in Japan (with subsequent release in Europe and USA). It was dedicated to their friend Kazuhiko Yanagida. While it is quintessential Swing Out Sister, with lush orchestral arrangements, the melodic tunes often feature melancholy, languid, or introspective atmospherics and are more sombre in tone. Many of the tracks are instrumental, or only feature vocalised harmonies sans lyrics. One song even features a soliloquy in French. O'Duffy, who produced the album, also has co-writing credits on all the songs, and provided backing vocals along with Connell and Cansfield.

    Due to declining sales, their record label Universal dropped them from their contract in America. Consequently, they signed on with Shanachie Records.

    Where Our Love Grows (2004)
    Undeterred, the duo bounced back with their eighth studio effort, Where Our Love Grows. It was released in Japan on April 28, 2004 with the UK edition following in July. GQ reviewed it and called it "indisputably their finest record to date". The album features a return to a rich, upbeat retro sound, with tracks like Love Won't Let You Down, ÇalWhen the Laughter Is Over, and ÇalLet the Stars Shine, that fuses jazz, soul, R&B, latin, and easy listening music. Samples of Roger Nichols & The Small Circle Of Friends and Herbie Mann were incorporated also into some songs.

    Beautiful Mess (2008)
    Late 2005 saw Swing Out Sister return to their studio in London to commence recording of their new album. The band planned on making a second tour of the US in 2006. However, due to recording commitments, this had to be canceled. In 2006, they composed incidental music for the ITV1 drama The Outsiders. August 2007 saw a new single Secret Love.

    The new album from the band was entitled Beautiful Mess and was released by Japanese record company Avex Trax on February 27, 2008. The title is taken from one of the tracks on the album. Prior to its release, in late December 2007, two other tracks were made available for download: ÇalButterfly and ÇalSomething Every Day.



    Something Every Day, from the album Beautiful Mess (Feb 2008)


    2008 Asian Tour
    In 2008, Swing Out Sister went back on tour and appeared at the Jakarta Convention Center, then toured several venues in Japan including Tokyo, Nagoya, Osaka, and Fukuoka, and in the Philippines, filling up the Araneta Coliseum in Manila. The SOS Asian tour was reportedly a success and they may appear again soon in the UK, Europe, and America this summer.

    Miscellaneous
    The song ÇalO pesadelo dos autores from the album The Living Return (1994) features a medley of cover versions of "Brazilian Rhyme", "Celebration Suite", "Come With Me", "My Cherie Amour", "The Smiling Hour", and "Butterfly".

    In 2002, Swing Out Sister and female Japanese singer Akiko recorded ÇalWaters of March, an English cover version of legendary Brazilian singer-songwriter Antônio Carlos Jobim's ÇalAguas de Marco.

    Albums
    It's Better to Travel (1987) UK #1, US #40
    Kaleidoscope World (1989) UK #9
    Another Non-Stop Sister (1989)
    Get in Touch With Yourself (1992) UK #27
    Swing Out Singles (1992)
    Live at the Jazz Cafe (1993)
    The Living Return (1994)
    The Big Elsewhere (1996)
    Shapes and Patterns (1997)
    Swing 3 (1997)
    The Best of Swing Out Sister (1997)
    Filth and Dreams (1999)
    Somewhere Deep In The Night (2001)
    Cafe Orange: Swing Out Sister Cafe Best (2002)
    Where Our Love Grows (2004)
    Live in Tokyo (2005)
    Beautiful Mess (2008)



    See also:
    Swing Out Sister’s official MySpace page
    Swinghistory - a compleat chronicle of the dashing duo by Björn Wahlberg

    Sources:
    http://en.wikipedia.org/wiki/Swing_Out_Sister (version of Jun 17, 2008) http://www.swingoutsister.com/
    http://www.asterion.se/sos.html
  • something that puts a smile on my face

    18 Haz 2008, 16:50 yazan carol_s

  • The Bossa Nova and Black Orpheus

    30 Nis 2008, 02:38 yazan neologisma

    It is said that the Bossa Nova is officially turning 50 years in 2008, since the historical release of the single "ÇalChega de Saudade"/"Bim Bom" by João Gilberto, in 1958.

    Another landmark in this story is the acclaimed movie "Orfeu Negro" (Black orpheus) of 1959, directed by Marcel Camus, starring Breno Mello and Marpessa Dawn, based in Vinícius de Moraes work, "Orfeu da Conceição". This is a modern version for the greek legend of Orpheu, having Rio de Janeiro's carnival as background.




    With music by Tom Jobim, Vinícius de Moraes, Luiz Bonfa e Antonio Maria, the soundtrack of this movie is deeply tuned with the arising Bossa Nova of that time, with songs such as "ÇalManhã De Carnaval", "A Felicidade", "Samba De Orfeu" and Valsa de Euridice

    For a taste of the soundtrack of probably the most important movie in Bossa Nova birth:

    Amazon CD
    Sample Music


    TAGS:


  • Across the universe

    12 Şub 2008, 12:08 yazan mirianb

    fui ver o lindo "Across the universe" esse fíndi. não vou escrever resenha, só completar/comentar essa aqui: http://www.last.fm/user/slowsloth/journal/2008/02/10/644229/

    eu gostei de tudo, tudo, tudo. quanto à I Am The Walrus, gostei demais também. muito colorido tudo: as cenas, a historinha, os covers tão bem encaixadinhos. saí tonta da sala de cinema. eles fizeram um ótimo trabalho juntando isso tudo.

    mas... nem tudo é perfeito, né? senti falta de algumas. não sei se seria possível encaixar, mas senti falta :)

    * Eleanor Rigby
    * Tomorrow Never Knows
    * The Fool on the Hill
    * Here Comes the Sun
    * Help!

    agora não lembro das outras, mas essas eram algumas que eu esperava que estivessem lá.

    ah, e lembro de sair cantarolando Sexy Sadie. :) achei pena que não apareceu, mas muito legal o jeito que os personagens foram nomeados. poxa, tem tantas músicas que fazem referência a nomes... seria um desperdício não aproveitar isso, mesmo. mais ou menos como fazer um filme com trilha de Tom Jobim e não botar uma Luiza ;)
  • that was Portuguese

    11 Şub 2008, 15:59 yazan maals

    Marco and Debbie, from Sealab 2021:



    Tom Jobim and Elis Regina, from Brazil: