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Craig Armstrong


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Craig Armstrong’s music is as varied as it is successful. Born in 1959 in the east end of Glasgow, the musician and composer headed to London in 1977 to train at the Royal Academy of Music. Under the tutelage of such greats as Cornelius Cardew and Malcolm MacDonald, he developed an approach that evokes the most delicate shifts in atmosphere and emotion.

On his return to Glasgow, Armstrong became in-house composer at the influential Tron Theatre, working for the first time with director Michael Boyd (now at the Royal Shakespeare Company). It was also at the Tron that Armstrong met actor/ director Peter Mullan, whose films (including The Magdalene Sisters and Neds) he continues to provide the music for today.

Hollywood greats

Armstrong’s early work, scoring for theatrical productions such as Boyd’s radical 1993 interpretation of Macbeth, laid the foundations for a spectacular career in film.

Since the mid-nineties, he has created scores for both Hollywood and independent films, from Mullan’s directorial debut The Close Trilogy to Bafta, Golden Globe and Novello award-winning soundtracks for Baz Luhrmann’s William Shakespeare’s Romeo and Juliet and Moulin Rouge! Many more films have benefited from Armstrong’s expert touch, including Richard Curtis’ Love Actually and Taylor Hackford’s Oscar-winning biopic Ray. Most recently Armstrong has composed two scores for Oliver Stone; World Trade Centre and this year, Wall Street: Money Never Sleeps.


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