John ZornPano
-
murraytaylor123 şunu yazdı:
Hemophiliac is AWESOME... I got it the other night and it's a free improv masterpiece. What are we gunna do when Zorn dies? I can't imagine anyone in existence being as good. I think I'll actually cry when he dies. *God forbid*
-
Holzhaus şunu yazdı:
Cobra: Studio Version is so incredibly awesome!
-
praisingfolly şunu yazdı:
Try Naked City next. It's even more maniacal and awesome.
-
MMBKG şunu yazdı:
I first heard Spy vs. Spy. don't know how good of a representation it is, but it's maniacal and awesome
-
boomshanka şunu yazdı:
snuggles
-
murraytaylor123 şunu yazdı:
Masada is one of his best projects, as is the Masada string trio. Live in Sevilla 2000 is absolutely sensational. Zorn is easily one of my favourite musicians of all time. Genius.
-
Vulfia şunu yazdı:
I started with Torture Garden, this mix of grindcore and jazz is unbelievable :D
-
hardton şunu yazdı:
great
-
Basstheist şunu yazdı:
what should I get? Let leave me a comment.
-
Basstheist şunu yazdı:
So I haven't heard this guy yet. But I want to check him out. I'm a fan of Jazz, classical, and grindcore when I heard he was involved in all of those styles I was really interested.
-
JamesLebowski şunu yazdı:
The Last Supper Teaser Sounds incredible!
-
DaltonMullins şunu yazdı:
Instrumental Soundscapes...www.daltonmullins.com (Chill Music) buy CD's on www.cdbaby.com/all/daltonmullins
-
Parisblues şunu yazdı:
this night at the nightin factory (winter 94/95) will remember all my life long. thanks to seb to bring me there. unforgettable.
-
OhYesByAllMeans şunu yazdı:
Filmworks XX: Sholem Aleichem is damn good.
-
phillip360 şunu yazdı:
The currently estrus 'pataphysics group invites you to cement and augment thermally.
-
Akerfeldtrise şunu yazdı:
One thing is sure : he is not human. Incredible, lovely genius.
-
oioioiacab şunu yazdı:
love this jew
-
Sax-Moryson şunu yazdı:
Mhhh...goood..
-
JOJOKYRA şunu yazdı:
party jazz time! ♥
-
AmenCorner şunu yazdı:
I'm glad to have found this terrific musician.
-
Savelle şunu yazdı:
People I'm starting to very like the Book of Angels series, this is why I created a group just for that part of Zorn's work. I'm very new with it, and i would apriciate it if someone could help me out, what should I know about this project, and what's it about.. and you might wanna join the group if it has some potentials. Sorry for my poor grammar, I tried my best. Thanks in advance anyway.
-
JamesLebowski şunu yazdı:
Strange. To me Invitation to a Suicide is one of Zorn's greatest records. But different opinions are what makes his body of work so interesting anyway, whatever. xD Port of Last Resort/Latin Boys go to Hell is also a great place to start into the Filmworks series I think.
-
praisingfolly şunu yazdı:
I didn't much care for Invitation to a Suicide for some reason. XIX is very good. Listening to XX more, it's not on the same level.
-
iQuizzle şunu yazdı:
I haven't heard all of the filmworks, but I have a few and really like filmworks XIX a lot...I think it's daunting to try to figure out where to start with that collection but in my experience you really can't go wrong.
-
JamesLebowski şunu yazdı:
I'd say Invitation to a Suicde. It's easy accesible, very atmospheric, and contains a lot of Zorn's humour.
-
RyanJones şunu yazdı:
Whats the best Filmworks album to start with?
-
praisingfolly şunu yazdı:
New Filmworks is pretty sweet. Very klezmer.
-
Ian4681 şunu yazdı:
sir if you called zorn a queer your dis is petty of a petty fool and theres nothing wrong with homosexuals SIR
-
Ian4681 şunu yazdı:
this is the first ive really heard of moon child and god blasphemey damn this is spectackular i thought painkiller was mastr of energy but hail IAO 616 418
-
seanmakau0 şunu yazdı:
im doing a paper on post war music from 1945-57, and have picked the genre, "art music" not sure what ive got myself into, as its almost impossible to find links and books on "art music" im not even sure if i know what post war "art music" is. if you guys could send some links my way or just identify what you guys think "art music" and its musicians are, that would be great. thanks
-
praisingfolly şunu yazdı:
Still waiting for a proper followup to Six Litanies... going to listen to FWXX soon.
-
FootToFace şunu yazdı:
the deer.
-
craque şunu yazdı:
the man.
-
ebrown7 şunu yazdı:
XIX is very melodic! It's a beautiful album, I love it.
-
R4pt0R şunu yazdı:
oh, FWXX is the most melodic filmwork of him? knowing a lot of people who said the same about FWXIX, Zorn goes mainstream...joke! :D
-
xNeux şunu yazdı:
Six Litanies For Heliogabalus owns hard. :D
-
RyanJones şunu yazdı:
I wish he'd do another Ornette Coleman cover album.
-
itsatoe şunu yazdı:
The master. My all time favorite.
-
Prayer şunu yazdı:
well, Filmworks XX is incredibly sweet, melodic and kletzmer'ish. maybe his most melodic filmwork to date. awesome
-
[deleted-user]
şunu yazdı:
R4pt0R: yes, and i quite like it.
-
tired_time şunu yazdı:
Six Litanies For Heliogabalus has just 8882 plays! WTF?! It's one of the best albums ever made, people, try it!
-
Monty__ şunu yazdı:
Thanks guys, I'll check those up!
-
R4pt0R şunu yazdı:
and, if you like that, More News for Lulu (Live CD)
-
HungryFreaks şunu yazdı:
Dear Monty, try: John Zorn, George Lewis, Bill Frisell - News For Lulu (1988)
-
pawelparzysz şunu yazdı:
Mezzo TV group - feel free to join in.
-
Monty__ şunu yazdı:
To clarify a little, I want songs that focus more on cool atmospheres and melodies than the more crazy jazz improvisation.
-
Monty__ şunu yazdı:
So I've tried Naked City, Spy Vs. Spy and Moonchild out, and i prefer his (in the lack of a better description) softer stuff. Naked City is amazing. Can you people recommend an album with similiar styles?
-
JamesLebowski şunu yazdı:
Filmworks 22 and The Crucible anounced. 'scuse me but, fuck yeah!
-
R4pt0R şunu yazdı:
anyone heard the new filmscore XX?
-
nabraxas şunu yazdı:
Of course, he does dip deeply into the realms of Klezmer jazz and bebop...But, you might say that you can learn more about a John Zorn LISTENER rather than John Zorn himself, based on their reviews, depending on how they got introduced and which of his stylistic tangents they entered through. His ouvre is such a vast pool that any unsuspecting fan can formulate their own sort of 'divining rod' once they dive in.
